DMC 3848 Medium Teal Green embroidery floss skein

DMC 3848 — Medium Teal Green

Greens family · Hex #508878

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Quick Conversion Table

Brand Equivalent Match
Anchor 1074 close Buy on Amazon →
Madeira 1212 close Buy on Amazon →
Cosmo 965 close Buy on Amazon →
Sullivans 45446 close Buy on Amazon →
J&P Coats 6187 close Buy on Amazon →

Ask a textile designer what color captures the word "sophistication" and they'll often reach for a muted teal — not the vivid turquoise of beach vacations, but the quieter, slightly grayed blue-green that appears in high-end interiors and contemporary fashion. DMC 3848 Medium Teal Green lives in that register. At #508878, it's a controlled, elegant teal with enough value to anchor a palette and enough subtlety to sit beside other colors without stealing the scene.

As the central value in the teal green family, 3848 does the communicative work that mid-tones always do: it establishes the color identity while DMC 3847 (Dark Teal Green) adds depth and DMC 3849 (Light Teal Green) provides the highlights. On its own, without shading, 3848 has a quiet sophistication that reads as well-chosen rather than default. It's the kind of color that makes a well-edited palette feel intentional.

Medium Teal in Botanical and Nature Designs

Botanical cross-stitch is one of Medium Teal Green's natural homes. Many period botanical illustrations — particularly 18th- and 19th-century herbals and scientific engravings — render foliage in cool blue-greens rather than warm greens, because the scientific illustration tradition prized accuracy over warmth. DMC 3848 captures that cool, precise quality beautifully. It's the color of the leaves in a Redouté botanical print, or the stems in an engraved herbal plate. For stitchers recreating this aesthetic, 3848 is frequently the cornerstone of the foliage palette.

In more contemporary botanical designs — the illustrated style popular in modern cross-stitch patterns for plants, herbs, and succulents — 3848 works as a mid-green for blue-green succulents like echeveria, for the cool gray-green of eucalyptus, and for the slightly silvered appearance of lavender stems and sage leaves. Paired with DMC 502 (Blue Green) and DMC 503 (Medium Blue Green), it fits naturally into a muted, sophisticated botanical palette without looking out of place.

Coverage on standard count fabrics is excellent. Two strands on 14-count Aida give dense, even fills. The color behaves well in parking method for complex multi-section designs, and its distinctive teal-green is easy to distinguish from adjacent colors in most WIP setups. For stitchers working large landscape backgrounds — particularly forest or undersea scenes — 3848 makes an effective background fill that reads as mid-value teal from viewing distance without the density of the darker family members.

One blending application worth exploring: a strand of 3848 with a strand of DMC 3849 creates a smooth intermediate that's useful when the two-shade jump feels too abrupt in detailed shading work. On 28-count evenweave over-two, this blend is particularly effective in small curved forms like fern fronds or spiral succulents.

Medium Teal Green sits in a value range where close matches are achievable but exact replication across brands is genuinely difficult due to the precise blue-green balance of the hue.

Anchor 187 is close. Anchor's mid-value teal greens tend to lean slightly more green and slightly less blue than DMC's equivalent position. The difference is visible in direct comparison but not typically noticeable in finished pieces where the two brands aren't stitched side by side. For full-project Anchor substitution, 187 is a dependable choice.

Madeira 1212 is close. Madeira's teal range in the mid-values is among their more reliably accurate color families. Some stitchers report 1212 reads as almost exactly matching 3848 in certain lighting conditions, while others note a very slight value difference. Testing against your specific project palette is recommended before committing.

Cosmo 965 is close. Cosmo's medium teal family tends to be slightly more muted and gray-toned than DMC's, which can read as either more sophisticated or more washed-out depending on the surrounding palette. For heritage and botanical designs, this quieter quality is often a good fit.

Sullivans 45446 is close. Suitable for standalone use with consistent lot sourcing.

  • For a slightly warmer teal — more green-turquoise than blue-teal — DMC 959 (Medium Sea Green) shifts the balance toward warmer aqua while maintaining similar value.
  • If the project calls for a lighter step in the same family, DMC 3849 (Light Teal Green) is the natural gradient partner.

Detailed Conversions

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